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Maria Clark
Soprano

"As Ali's mother Odessa, Maria Clark was the most natural actor in the production. Clark wandered in and out of the evening Ali and Miller spent together, humming two lines of a spiritual to restore normality to scenes that sometimes drifted between memories. She also had some of the best lines in the libretto, which Miller co-wrote with Pulitzer Prize-winner Mark Campbell. Entering stage as she held a crock between potholders, she ended a meditation on fate by Ali and Miller with "Everything happens for a reason including this chili." It was a classic sitcom moment."
- Chris Vitiello - Indy Week, February 02, 2015

SOPRANO MARIA CLARK AN "ARTISTIC AND VOCAL TRIUMPH" AS FIRST PRIZE WINNER IN 2008 BARRY ALEXANDER INTERNATIONAL VOCAL COMPETITON

New York, February 4, 2008 - With a voice judges described as "dazzling" and "richly expressive," soprano Maria Clark performed on the stage of Carnegie Hall last Sunday afternoon as First Prize Winner of the 2008 Barry Alexander International Vocal Competition. "One seldom finds a voice capable of such beauty across a variety of idioms," said Cosmo Buono, Executive Director. "A voice this much at home in opera, lieder and spirituals is very rare. She is truly, both artistically and vocally, a triumph."

Statuesque Soprano, Maria Clark, has been acclaimed for her virtuosic skills of expressive singing across the idioms of Opera, Oratorio, and Art Song, and has been critiqued as possessing "The Voice of An Angel". One of the most important aspects of her vocal abilities is her superb control of a very large instrument, all the while presenting a beautiful, rich, and layered voice. As a young artist, Maria was kept busy while attending the excellent opera program at Florida State University, where she gained stage time under the watchful eye of Barbara Ford. Accepted to attend the prestigious Manhattan School of Music, Maria moved to New York to complete her education where she received her BM in vocal performance successfully. After spending additional time in New York, she ultimately returned home to Covington, Georgia and embarked on the early stages of building an active opera career. Much like most vocalists, Maria performed concerts, as the lead soloist in her church, and gained experience by working with symphonies and small regional opera companies in the area, all the while improving her vocal technique and adding stage experience. She appeared with the Irene Harrower Opera Workshop, and performed the role of The Countess in The Marriage of Figaro and Annina in the Saint of Bleeker Street. It was while actively studying with a voice teacher and coach that Maria entered the MM program at Georgia State University and in 2005 received her degree in vocal performance. At this time, she performed with the University's production of Tales of Hoffman as Antonia and as Violetta in their production of La Traviata.

Her career grew in 2005, when she landed a position with Atlanta Opera and appeared with the ensemble of Atlanta Opera in its 2005 production of Carmen, participated in Atlanta Opera and Opera Comique's 2008 collaborative production of Porgy & Bess, touring in France, Spain, and Luxembourg performing as the Strawberry Woman. Maria's impressive rendition of the role earned her the cover of Bess, in the Atlanta Opera's main stage 2011 production of Porgy & Bess, and performing the role of Bess in Atlanta Opera's abridged version which was produced for the Atlanta Opera Outreach School productions. It was at the end of the 2012-13 season that Maria delivered a son into the world of opera which created a delay in her active career growth.

2015 found Maria performing for North Carolina Opera as Odessa Clay in Approaching Ali. In 2012 Maria was honored to recently make her debut with FOSBO-Fundación Orquesta Sinfónica de Bogotá Colombia and was sought out to sing Bess in the Bennett arrangement of Gershwin's concert version of Porgy & Bess. Maria has also made a musical appearance in Tyler Perry's critically acclaimed movie, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf. Recently Knoxville Opera booked Maria to sing on their annual Opera Goes to Church program which was aired on the PBS network in Tennessee. Maria lives in Covington, Georgia with her husband and young son.


Maria Clark's Resume

ROLES PERFORMED
ODESSA CLAY, Approaching Ali, North Carolina Opera, 2015
BESS, Porgy & Bess, Sinfónica de Bogota, 2012
BESS (Cover), Porgy & Bess, Atlanta Opera, 2011
VIOLETTA, La Traviata, GSU Opera, 2009
STRAWBERRY WOMAN, Porgy & Bess, Atlanta Opera, 2009 & 2005
ANTONIA, Le Contes d' Hoffman, GSU Opera, 2008
COUNTESS, Le Nozze di Figaro, Harrower Opera, 2005
ANNINA, Saint of Bleeker Street, Harrower Opera, 2005

ORATORIO AND CONCERT APPEARANCES AS A SOLOIST
Featured Artist, Famous Opera Arias, Ludwig Symphony, 2015
Soloist, Opera With An Edge, Atlanta Opera, 2011
Featured Artist, Famous Opera Arias, Ludwig Symphony, 2010
Featured Artist, Various Music, Morehouse College, 2010
Featured Artist, Famous Opera Arias, Ludwig Symphony, 2009
Soloist, Handel / Messiah, Atlanta Baroque Orchestra, 2009
Features Artist, ML King Celebration, Dekalb Symphony, 2007
Featured Artist, Opera Arias, Dekalb Symphony, 2006

MUSICAL TRAINING
2011, 2008-2009: Atlanta Opera including traveling production of Porgy & Bess to France, Luxembourg, and Spain.
Voice Teachers: Barbara Ford, Gabor Carelli, Edith Bers, Esther Hinds, and Sharon Stephenson.
Voice Coaches: Peter Marshall, David D' Ambrosio, Kyung-Mi Kim, Craig Kier, Walter Huff, and Tyson Deaton.

EDUCATION
MM Degree in Vocal Performance - Georgia State University 2009;
BM Degree in Vocal Performance - Manhattan School of Music 1998

AWARDS
Winner - 2008 Barry Alexander International Competition;
Winner - 2004 Savannah Music Festival Competition; Winner - 1994 West Palm Beach Opera Competition.

 


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